Thursday, July 19, 2007

No. 46 - Central Library Building

Central Library Building

Central Library Building

1926 – Bertram Grosvenor Goodhue with Carleton Monroe Winslow
630 West Fifth Street – map
Declared: 3/1/67

the old L.A. Public Library burned
down
that library downtown
and with it went
a large part of my
youth.

-- “the burning of the dream”, Charles Bukowski

So about 86% of the information in this post is taken from the official website of the Los Angeles Public Library, technically the Richard J. Riordan Central Library. (Since 2001, the library's been renamed after the city’s mayor of 1993 to 2001 - never mind it had been called the Von Kleinsmid Library for Rufus B. von Kleinsmid, USC president and library commissioner. Poor Rufus.)

Central Library Building
The Mark Taper Auditorium

Los Angeles’s library was established in December of 1872 at Temple and Springs Streets. The state legislature passed an enabling act for a public library in the city in 1874, and the library was transferred to the care of the city in 1878. Harris Newmark, in his Sixty Years in Southern California 1853 - 1913, reports one of the first efforts to form a public library was made in 1859 with the undertaking not being all that well received.

Central Library Building
The Literate Fence, grillwork by Ries Niemi, fronting Fifth Street.

As an architect, Bertram Goodhue had been famous for the state capitol building in Lincoln, Nebraska, and Manhattan’s Church of the Intercession where he's buried. A long-time partner of Goodhue’s, Carleton Winslow was responsible for a bunch of buildings throughout Southern California, including the First Baptist Church of Pasadena. The library was built over a good chunk of the early 1920s, being dedicated on July 15, 1926. Goodhue, however, died in 1924, never seeing the finished product.

Central Library Building
Compare all this newer section to the left with the broad lawn in the picture below.

Central Library Building
That's the California Club under construction in the background, right?

As early as the 1950s, the city began to consider that the Central Library Building had outstayed its welcome and should be removed. In the 1970s, it became more and more likely the library would be torn down. The battle to preserve the library was the impetus behind the 1978 formation of the Los Angeles Conservancy. In 1983, the city decided to save and restore the building.

Central Library Building
The Grand Avenue side. This is the new section named after Tom Bradley.

Central Library Building
The Hope Street entrance.

Central Library Building
"Wisdom is the ripest fruit of much reflection", except with v's for u's.

Before the restoration could begin in earnest, though, the library shut down when a huge arson fire occurred on April 29, 1986, destroying more than 400,000 books. Arsonists struck again that September.

Central Library Building
The April 29, 1986, fire.

Restoration began in 1988 with money that in large part was received when the library sold its air rights, allowing skyscrapers to be built next door. During that restoration, the open space on the east side of the building was lost when a new eight-story wing named for Mayor Tom Bradley (1973 – 1993) was constructed (the new wing was designed by Hardy, Holzman, and Pfeiffer Associates). The library re-opened in October, 1993.

Central Library Building
The Flower Street side. A couple of new trees were being planted this Saturday.

Above and below are glimpses of Maguire Gardens' Entryway, Steps, and Pools. From the library's website:
"Risers on the steps on either side of the fountains encompass slightly patinated brass with letters from 19 languages etched in green; black copper plate with printed words in nine languages cut into the surface in white; and symbolic communications in higher math, art and poetry established during the electron age, etched on stainless steel plate in black."
The Gardens include pools, fountains, and sculptures.

Central Library Building

Now, for the inside. Again, go the library’s official site, specifically this page, for a much more detailed scoop on the artwork contained therein. There are tons of murals, chandeliers (literally tons), reliefs, statues, inscriptions, mosaics, and whatnot.

The first thing you see when you hit the main lobby is this painted ceiling by Renee Petropoulos. See if you can read the names of L.A. authors mixed in.

Central Library Building

Central Library Building

There are more than 9,000 square feet of murals in the Lodwrick M. Cook Rotunda, named for the ARCO man who led the fund-raising efforts after ’86 fires. The murals depict four eras of California history: Discovery; Mission Building; the Beginnings of Art and Industry; and Conquering the Elements. Dean Cornwell painted them, finishing in 1932.

Central Library Building

Central Library Building

The dome’s decorations are by Julian E. Garnsey. The solar-system chandelier was modeled by Lee Lawrie. The 48 lights represent the then number of states (sorry, AK and HI). I don’t know which states are represented by those eight burnt-out bulbs, but I’m sure I got speeding tickets in at least three of them, so good riddance.

Central Library Building

Let’s give a big hand to this big hand. You can’t tell by the cruddy picture below, but this Light of Learning Torch is really about seven feet tall. For about sixty years it stood atop the library’s crowning pyramid. During restoration in the late 1980s, it was proven too fragile and was replace by a replica. It, too, was sculpted by Lee Lawrie.

Central Library Building

Some more Lawrie work. According to the library’s website, the Statue of Civilization "symbolizes all the Library represents.” For lists of what’s written on her book and what the symbols on the panels stand for, click here. To her left (your right) is one of a pair of Belgian marble sphinxes acting as guards.

Central Library Building
"Therefore the desire of Truth, especially of that which concerns the gods, is itself a yearning after Divinity."

When you enter the Children’s Literature Department (formerly the History Department), you’ll see a series of California history murals by Albert Herter.

Central Library Building

Inside the International Languages Department there are friezes by Julian E. Garnsey and A.W. Parsons of Scott’s Ivanhoe. There are ten paintings. (They're brighter in person - ed.)

Central Library Building

Central Library Building

Therman Statom created these three chandeliers in the Bradley Wing atrium. They represent the natural, the man-made, and the spiritual worlds.

Central Library Building

This is one of the atrium’s lanterns, called Illumination, by Anne Preston. The top part is supposed to be an upside-down human profile. Flip over your computer and let me know what you think.

Central Library Building

One last thing. I didn’t include a shot of the interiors of the library’s elevators whose
walls are made up of old card catalog cards. The pictures are real blurry. But if you go to the library, see them (the elevators, not my blurry pictures).

Central Library Building

There's a lot more information and pictures of the landmark's artwork at Public Art in L.A. You should read it before your next trip to the library. You can also print out a self-guided tour here. There are volunteer docents to give free tours, too, although the guide was a no-show when I was there.

The Central Library Building
is also listed on the National Register of Historic Places.

Up next: St John's Episcopal Library

continue reading...

Monday, July 16, 2007

No. 45 - Mooers House

Wright-Mooers House

Mooers House
1894
818 South Bonnie Brae Street – map
Declared: 2/8/67

Hey, check out this still sweet Victorian, tucked behind a Subway at the corner of 8th and South Bonnie Brae Streets in Westlake.

The declaration plaque on site calls the Mooers House “A Prototype of Distinctive Architecture of the Boom of the 80’s”. Now, I’m no expert, but I remember the 80s, and between watching Hill Street Blues and listening to A Flock of Seagulls, I never saw houses like this being put up.

Wright-Mooers House

According to Paul Gleye’s 1981 The Architecture of Los Angeles and McGrew and Julian’s Landmarks of Los Angeles, this house was built for Frederick Mitchell Mooers, filthy rich from co-discovering the Yellow Aster gold mine up in Randsburg, CA.

But I’m questioning this. Gebhard and Winter’s Los Angeles: An Architectural Guide refers to the house as the Wright-Mooers House. And a December 24, 1898, Los Angeles Times list of real estate transfers from two days earlier has this mention: “May Gertrude Wright and F L Wright to Frederick M Mooers, lot 4 and part 5, block F, Bonnie Brae tract, $5200.”

Now, this would lead you to think that the Wrights were the builders of the house, not Mooers, right? Further, Mooers probably couldn’t have afforded $5200 prior to his having discovered gold in 1895 (he had been primarily prospecting for a dozen years).

Does anyone know a way to get the correct answer to who built this landmark?

Wright-Mooers House

The house later became part of a court case when Mooers’s wife, Frances, contested his will after his sudden death in 1900. She claimed his mind had been “weakened by the excess and dissipation of strong drink” when he made out his will, giving the brunt of his estate to his mother and the three brothers who were also living at the Bonnie Brae house at the time.


Wright-Mooers House

The Gleye book says the house is primarily Queen Anne with “a hint of the Moorish in the cupola and arches above the windows.” Shouldn’t that be, in this case, Mooersish? Get it? Because the guy’s name was Mooers?

Wright-Mooers House

The Mooers House is also listed on the National Register of Historic Places.

Up next: Central Library Building

continue reading...

Friday, July 13, 2007

No. 44 - Hangar No. 1 Building

Hangar No. 1 Building

Hangar No. 1 Building
1929 – Gable & Wyant
5701 West Imperial Highway – map
Declared: 11/16/66

Okay, time for a Big Orange Landmarks pop quiz!

TRUE or FALSE: Los Angeles International Airport security personnel are thrilled with and greet warmly indiscriminate trespassers snapping unauthorized photographs of key airport facilities.

If you answered FALSE, you’re wrong. The correct answer, of course, is VERY, VERY FALSE.

Hangar No. 1 Building

This hangar, the first building at Los Angeles International Airport (LAX), was finished in 1929, a few months after the airport began business on October 1, 1928. The airport at that time carried the unfortunate moniker of Mines Field, named for William Mines, the real estate guy who represented the site’s landowners.

Hangar No. 1 Building
This older shot, taken from sort of the same vantage as above, is from the city's Department of City Planning site. Are those folding doors what are called 'apronside doors' (see below)? Whatever they're called, what with all the trees there now, they haven't been used in a while.

The city of Los Angeles took full control of the airport in 1937, changing the name to Los Angeles Airport in 1941. Commercial service didn’t begin here until 1946 (Grand Central in Glendale, Burbank’s United Airport, and Van Nuys Airport all got more action back then). The ‘International’ was added in 1949.

Hangar No. 1 Building

The Spanish Colonial Revival hangar was restored in 1990 and, on 7/30/92, was listed on the National Register of Historic Places.

Hangar No. 1 Building

Hangar No. 1 is now one of three cargo buildings operated by Aviation Facilities Company, Inc. (AFCO) in what’s known as the Imperial Cargo Complex. Pulled directly from their site, here are some Hangar No. 1 specs:
  • 10,497 sq.ft. cargo handling space
  • 6,540 sq.ft. office space
  • 25 auto parking positions
  • 99’ bay width
  • 114’ bay length
  • 20’ to 24’ bay height
  • 2 apronside doors
  • 26’x18’ apronside door width and height
"Auto parking positions"?

Hangar No. 1 Building

I know it’s a lot different than it was more than 75 years ago, but you can still get a bit of a Howard Hughesy vibe from being there.

I would’ve loved to have seen the west side of the hangar, but it’s so gated off it would’ve been tough to get to even had the two security guards there not been on me like white on rice. (Actually, they were understanding, but still ignored my picture-taking defense of, “But it’s for a blog!”)

Below is the last shot I snapped before being shooed away, and the only glimpse of the second, larger tower I've got.

Hangar No. 1 Building

Up next: Mooers House

continue reading...

Tuesday, July 10, 2007

No. 43 - California Club Building

California Club Building

California Club Building
1930 – Robert David Farquhar
538 South Flower Street – map
Declared: 11/2/66

The California Club moved into this building, its fourth home, in 1930.

California Club Building

Founded in 1887, the California Club is a private social club. The only way you can become a member is by invitation (I check my mailbox every day…. still waiting). Women were admitted only beginning in 1987, meaning for a full century the men didn’t have to worry about putting the seat down. But times change. Times change.

California Club Building

Robert D. Farquhar designed the Renaissance Revival/Beaux Arts building, and, according to David L. Clark’s A History of the California Club, 1887-1987, he (Farquhar, not Clark) won a Distinguished Honor Award from the AIA, the American Institute of Architects, for his design. Farquhar also designed Beverly Hills High and HCM No. 28, the Williams Andrew Clark Memorial Library.

California Club Building, Backside
The back - southeast - side of the California Club.

California Club Building

A brief Los Angeles Times article on August 26, 1930, reported there was no formal ceremony when the building was first occupied the day before ("in sharp contrast to the pretentious quarters'"). The same piece also states the structure cost $3,250,000 and that membership was limited to 1,000.


California Club Building
See if you can spot the yellow-green PED XING sign. It's kind of subtle.

California Club Building

Just a heads up – when you do become a member, make sure you’re acquainted with the dress code.

California Club Building

Up next: Hangar No. 1 Building

continue reading...

Saturday, July 7, 2007

No. 42 - San Antonio Winery

San Antonio Winery


San Antonio Winery
1917
737 Lamar Street – map
Declared – 9/14/66

After just a few minutes at the San Antonio Winery, you’ll realize its Historic-Cultural designation is the result of the institution being the last remaining winery in the city of Los Angeles rather than for the very few remaining physical vestiges of the winery’s founding ninety years ago.

San Antonio Winery

Santo Cambianica established the San Antonio Winery in 1917, five years after he emigrated to California from Northern Italy. The winery was located in what was then the “Italian District” in Lincoln Heights. Cambianica named his business after Saint Anthony, of Padua, Italy, patron saint of lost items, asses, and both sterility and pregnant women.

San Antonio Winery

"This was the First Press uses in our winery. It was built about 1890 and originally operated by hand." (It operated what by hand? - ed.)

Prohibition knocked out a good chunk of Southern California’s some ninety wineries, but San Antonio stayed in business by producing altar/sacramental wines (which it still does).

San Antonio Winery

Above are some of the few remaining vintage redwood casks, now being replaced by oaken ones like below.

San Antonio Winery

An onsite history of text and photos names the winery’s patriarch and matriarch as Stefano Riboli (Santo’s nephew, arriving to the U.S. in 1937) and Maddalena Satragni. They married in 1946.

The winery claims they instituted what may have been the first wine-tasting room in California. That was in the early 1950s.

The current building was built by O’Leary and Temesawa in 1968.

San Antonio Winery

An early shot of the winery.

Side note: California’s – and, probably, the United States’ – first commercial vineyards were begun by Frenchman Jean-Louis Vignes in the 1833, on 104 acres near where the San Antonio Winery is today.

San Antonio Winery

A later - but still early - shot of the winery.

The Lamar Street winery is still at its original location (San Antonio also produces wine in Paso Robles), although the original buildings are long gone. Today, you can get a free tour of the place, along with a non-free meal at Maddalena Restaurant.

San Antonio Winery

And Floyd B. Bariscale is nothing if not a supporter of local businesses...

San Antonio Winery

Up next: California Club Building

continue reading...

Wednesday, July 4, 2007

No. 41 - 114 Deodar Trees

144 Deodar Trees


114 Deodar Trees

1932
White Oak Avenue, between San Fernando Mission Boulevard and San Jose Street, Granada Hills - map
Declared: 8/3/66

My guess is not all 114 deodar trees on both sides of this eight-block stretch of White Oak Avenue collectively designated as a Los Angeles landmark remain after forty years, but I wasn't about to count the existing ones to make sure. My time is dear.

114 Deodar Trees

When John Orcutt, superintendent of the dairy farm and citrus orchard known as "Sunshine Ranch", was overseeing the planting of these Himalayan trees in 1932, Granada Hills was celebrating just five years of existence as 'Granada'. (According to this Department of City Planning site, 'Sunshine Ranch' was renamed 'Granada" eighty years ago today, July 4, 1927, and then changed to 'Granada Hills' in 1942. It also says Orcutt planted the trees in 1933, not 1932.) It's now a community of more than 60,000 people and home to this group of more than a 100 of these distinguishing Cedrus deodara trees.

144 Deodar Trees

114 Deodar Trees

144 Deodar Trees

These cedars, together with the variety of distinctive trees on the side streets throughout the area, give the neighborhood a decidedly non-Southern California feel.

144 Deodar Trees

114 Deodar Trees

Up next: San Antonio Winery


continue reading...

Sunday, July 1, 2007

No. 40 - Hale House

Hale House

Hale House
c. 1887
Heritage Square, 3800 Homer Street – map
Declared: 6/15/66

Well, I reckon if your goal is to live in a home that would attract tons and tons of attention, you could do much worse than setting up camp in this Queen Anne/Eastlake house.

Hale House

What mysterious origins! Depending on whom you believe, either W.R. Norton or Joseph Cather Newsom designed this home for George W. or Charles Morgan, who may or may have not been a real estate man, in or around 1887. The original location was at 4501 North Figueroa Street (then named North Pasadena Avenue).

Hale House

The fact it looks like a ‘CW’ and not a ‘GW’ in this shield above one of the front windows would make one think it was Charles and not George who was the original owner. Could it be a ‘G’? Or a 'P', even?

Hale House

In 1901 or 1906, James and Bessie Hale (Jack Smith wrote the couple met while Bessie was waiting tables at the Pico House downtown) moved into the home, but that was sometime after the building had moved down the street to 4425 North Figueroa Street. Bessie lived until nearly ninety years old, and she ran the building as a rooming house until the late 1950s. A Hale niece owned the home until the city bought it for a dollar in 1970 (a pair college students were living there as official caretakers at the time). It was moved to Heritage Square Museum at a cost of about $25,000 that July.

Click here to see a shot of the Hale House either right before or right after the big move.

Hale House

The redwood-framed building has been meticulously restored to its original colors (I couldn’t think of any other reason for this palette). The inside, too, with its five fireplaces, has been restored and stocked with period pieces from the turn of the last century. I would’ve taken pictures of the interior, but indoor photography is forbidden at Heritage Square because… well, I don’t know why.

Hale House

The Hale House is also on the National Register of Historic Places.

Source:

Jack Smith. “‘May Day’ for an Old House” Los Angeles Times; February 2, 1970, pg. A1


Up next: 114 Deodar Trees

continue reading...